Afterimage | The Journal of Media Arts and Cultural Criticism

Dawoud Bey Praises Afterimage

Luke Strosnider — Thu, 11 Mar 2010 18:41:58 +0000

“For forty years now Visual Studies Workshop has provided a resource to the community of photographers and those committed to the artist book. Their publication Afterimage has been published consistently and has been an absolutely valuable source of information as well as providing an outlet for those writing on photography and media.”

Distinguished artist and educator Dawoud Bey offered these kind words recently during his address to the Society of Photographic Education’s 47th National Conference in Philadelphia. For the full text of his remarks, visit his blog:

History Lesson in Philadelphia – What’s Going On? – Dawoud Bey’s Blog

Everyone at Afterimage would like to offer a heartfelt “thank you” in return!

Announcing Afterimage 37.5

Luke Strosnider — Fri, 05 Mar 2010 17:01:27 +0000

Afterimage Vol. 37 No. 5 has arrived. Here’s a glimpse of what’s inside:

AN ESSAY on “The Americans” at the Met.

FEATURES on video artist Omer Fast, GPS technology and photography, and Obama and Osama in the new media public sphere.

REVIEWS of exhibitions in the U.S., England, Austria, and the United Arab Emirates, plus reviews of books on film noir, Iranian cinema, and Asian American representations in film and media.

Excerpts from every article - along with the full text of Luke Strosnider’s review of Barbara Crane in Chicago – available here at Afterimage Online.

Letters: Watching A Book, Reading A Video

Luke Strosnider — Fri, 26 Feb 2010 15:45:13 +0000

George Quasha, co-author of An Art of Limina: Gary Hill’s Works and Writings, penned a illuminating response to the recent feature “Rooted in the Experiential: A Conversation with Gary Hill” from Afterimage 37.3.

Collette Copeland, the feature’s author, offers a response to Quasha. Read the insightful exchange here at Afterimage Online.

[ Read "Letters: Watching A Book, Reading A Video" ]

In Our Next Issue: Barbara Crane in Chicago

Luke Strosnider — Wed, 10 Feb 2010 20:53:05 +0000

Coming up in the next issue of Afterimage: a review of Barbara Crane’s recent exhibition at the Chicago Cultural Center.

Preview the whole article now on Afterimage Online.

[ Full text of “Crane Takes Flight” by Luke Strosnider ]

Art on Paper Temporarily Ceases Publication

Luke Strosnider — Mon, 01 Feb 2010 17:12:35 +0000

It has been another confusing day in the world of print publication. As we work to get the March/April edition ready for design here at Afterimage, we have been informed that yet another prominent art publication has fallen victim to the seemingly endless recession.

Art on Paper, the New York-based magazine devoted exclusively to covering works on paper, has temporarily ceased publication.

The Print Collectors Newsletter was founded in the late 1960s under the direction of Jacqueline Brody and provided collectors of limited edition prints, photography, and artists’ books with a respectable resource. Gabriella Fanning purchased the newsletter in 1996 and changed its name to On Paper, expanding its coverage to include drawings. Two years later, it became Art on Paper, a full-color magazine.

Ever since, the publication has been internationally known for its commitment to works of all periods. With a readership of over 40,000 and including work by many of today’s prominent artists and critics, “the magazine’s absence will leave an important segment of the art world . . . unattended at a difficult time,” says co-publishers Shelly Bancroft and Peter Nesbett.

“All of [their] efforts to ride out the recession (reducing the magazine’s size [to cut] printing costs in half, laying off staff, creating other revenue streams) have proved inadequate in compensating for the sixty-five percent drop in advertising revenue [they] experienced over the past year and a half,” they go on to say in an email of January 29, 2010.

It is their hope that in the year to come, the economy will improve and “someone new will come along and revive the publication, either in print or digital form.” For now, if you are a subscriber, they ask that you email circulation@dartepub.com for response to your questions and the detailed efforts they are making on your behalf.

The written word has taken many body blows in the past decade, but all of us here at Afterimage hope that with the diligence of its countless curators and the intrinsic resiliency of our language, that art publications can muster the strength to throw some meaningful counter-punches in the years to come.

David Yockel Jr. is a graduate student in Creative Writing at The College at Brockport and an editorial intern for Afterimage.