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	<title>Afterimage &#124; The Journal of Media Arts and Cultural Criticism</title>
	<link>http://www.vsw.org/ai</link>
	<description>The Journal of Media Arts and Cultural Criticism</description>
	<lastBuildDate>Fri, 20 Jan 2012 22:13:36 +0000</lastBuildDate>
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	<item>
		<title>Announcing Afterimage 39.4</title>
		<description>Reports
Le Mois de la Photo à Montréal &#124; Brave Festival &#124; New Horizons International Film Festival
Essay
Reconsidering Charles Pierce

Features
The Work of  Abraham Ravett and Jayce Salloum &#124; A Conversation with Paul Antick &#124; The Film and Video Art of Omer Fast and Kerry Tribe

Exhibition Reviews
Videosphere in Buffalo &#124; HomeFrontLine in ...</description>
		<link>http://www.vsw.org/ai/2012/01/20/announcing-afterimage-39-4/</link>
			</item>
	<item>
		<title>Report &#124; The 55th BFI London Film Festival</title>
		<description>"Given the regularity of the London Film Festival, it is tempting to read each year’s offerings as cultural and political barometers. This year, the tumultuous times have provided us with some interesting films, whether meditating on the human cost of the Iraq war, documenting and contextualizing the Arab Spring, reflecting ...</description>
		<link>http://www.vsw.org/ai/2011/12/06/report-the-55th-bfi-london-film-festival/</link>
			</item>
	<item>
		<title>News From the Field &#124; Art in the Age of Digital Reproduction: Hirst, Emin from $12.00</title>
		<description>With the recent launch of s[edition], the high-end art market is now accessible to the masses, but not without challenging the very notion of art collecting.

The initiative is the brainchild of Haunch of Venison co-founder Harry Blain and former Saatchi Online CEO Robert Norton, and it creates a platform for ...</description>
		<link>http://www.vsw.org/ai/2011/11/30/news-from-the-field-art-in-the-age-of-digital-reproduction-hirst-emin-from-12-00/</link>
			</item>
	<item>
		<title>Announcing Afterimage Vol. 39, No. 3</title>
		<description>



Reports
2011 Venice Biennale &#124; PHotoEspaña 2011

Features
The Work of Kate Gilmore &#124; Vernon Fisher, Image/Text, and the Postmodern Narrative Under Erasure &#124; Patrick Cariou vs. Richard Prince

Exhibition Reviews
Thomas Struth in London &#124; Marco Brambilla in Santa Monica
Memes at MASS MoCa &#124; Ryan Trecartin in New York City
"Our Origins" in Chicago &#124; ...</description>
		<link>http://www.vsw.org/ai/2011/11/17/announcing-afterimage-vol-39-no-3/</link>
			</item>
	<item>
		<title>Portfolio &#124; Todd Ayoung</title>
		<description>Kill the Chickens to Scare the Monkeys

Chickens in overcrowded factory cages forms the background of the image, and flies stuck to a paper fly trap occupy the center. In its current assemble, the image reads as a monstrous, incomprehensible insect with wings spread open. [MORE ...] </description>
		<link>http://www.vsw.org/ai/2011/09/01/portfolio-todd-ayoung/</link>
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