JUNE 04-08
Jenn Libby The Art of Wet-Plate Collodion
Abbey Hendrickson The Art of Social Media: Creating and Maintaining a Social Media Footprint
Jason Bernagozzi Video Installation: Navigating Space and Signal

JUNE 07-08
Douglas Holleley Intention and Effect: Choosing Your Words

JUNE 11-15
Bridget Elmer Free the Book: Self-Publishing with Open Source Software
Meredith Davenport Making a Magazine
Liz Ronk Fundamentals of Photo Editing for the Web

JUNE 14-16
Ahndraya Parlato Photographic Conversations

JUNE 15-16
Nate Larson & Marni Shindelman
Methods and Place

JUNE 18-22
Ingrid Hess Artists' Books: Basic Bookbinding
Wendy Smith Introduction to the Documentary Form
Tate Shaw Photographic Sequence

JUNE 21-22
Rick Hock Drawing for Photographers and Anyone Else Interested in Mark Making Systems

JUNE 21-23
Richard Kegler Font Design in FontLab

JUNE 25-26
Gregory Halpern Twenty Photobooks I Love and Why

JUNE 25-27
Scott McCarney Bookbinding in the Age of Digital Production

JUNE 27-28
John DeMerritt Photography and the Book Form

JULY 02-06
Tracy Rudzitis Web Design for Artists
Keith Johnson The Extended Image Judy Natal Image • Text • Context

Drawing for Photographers and Anyone Else Interested in Mark Making Systems
Rick Hock
Thursday and Friday, June 21-22
9:30am-5:00pm; $250

You’ve heard it said before “anyone can draw” and I’ll say it again anyone can draw. It’s simply how you think about what drawing is. Photography in fact is nothing more than a mark making system, another pencil in the pencil box. This workshop will examine various systems of mark making and their application through practical exercises. Requirements: No experience necessary. Materials required: large smooth newsprint drawing pad (19”x24” or larger the better); soft pencil 4B or softer; good size eraser; charcoal sticks; small bottle of India ink; container for water; anything else you want to make marks with.

Rick Hock is former Director of Exhibitions and Program Design at George Eastman House, International Museum of Photography and Film. He has organized, curated, and designed numerous exhibitions including Enhancing the Illusion: The Origins and Progress of Photography, Seeing the Unseen: Harold Edgerton and the Wonders of Strobe Alley. The Sports Illustrated Exhibition of American and Soviet Sports Photography, The Pencil of Nature: Photograph’s Trace and Transformation, Nathan Lyons: A Survey 1957-2000, World From My Front Porch: The Photography of Larry Towell, and Vision and Obsession: The Remarkable George Eastman.

He has taught courses in the History and Art of Photography at The University of Rochester, The Rochester Institute of Technology, Visual Studies Workshop and the State University of New York, Geneseo and Exhibition Development for Ryerson University’s program in Photographic Preservation and Collections Management. He is the recipient of two National Endowment for the Arts fellowships. His photographic work has been exhibited internationally and is included in several major collections including The Museum of Modern Art, The Philadelphia Museum of Art, The Huston Museum of Art, and The Creative Center for Photography.