SOIBELMAN SYNDICATE NEWS AGENCY COLLECTIONS
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The Soibelman Syndicate News Agency Collection Archive at Visual Studies Workshop consists of approximately 40,000 "news" and "feature" photographs, several thousand negatives, and twenty cartons of business records, account books, logs, invoices, letters, scrapbooks, and tear sheets of a photographic picture agency which operated in New York City from 1932 to 1942.
The strength of the collection resides in the many extraordinary photographs of events and people occurring just before World War II -- including documents of the Spanish Civil War, the Sino-Japanese War, Nazi rallies in Germany and so on. However the Syndicate represented or obtained the work of other, earlier, collections as well --including the Andrew Halbran News Features, Kadel & Herbert News Service, and others-- and thus the Collection contains photographs of events and activities in the U.S.A. and overseas extending back to World War I and, occasionally, even earlier. These photographs were (and still are at this time) organized into rough "subject" groups -- i. e. "American Legion I, II, III," "Coney Island," "Spanish [Civil] War I, II, III," "W.P.A.," or "Great Britain: Personalities - A," "USA: Personalities - S," etc. Each category contains from approximately 30 to 200 photographs, each with a label or handwritten caption on the back of the print.
SPANISH CIVIL WAR Sample Photographs
click on photos for larger view Checklist
SPANISH CIVIL WAR 1936 - 1939 (Checklist)Numbers in parenthesis ( ) indicate number of prints
the Soibelman Collection at Visual Studies Workshop includes 240 photographs (plus duplicates) in this category, plus an additional 62 photographs in the closely associated category SPAIN, BY COLUMBIA SILEO. The collections contain photographs derived from both Loyalist and Falangist sources, as well as photographs from neutral news agency sources. Together, the collection provides a small but fascinating look into 1930s propaganda techniques as well as visual glimpses into actual historical events. The category was divided into three parts.
SPANISH WAR I.
Credit line: PL
- Views of parades and demonstrations in Barcelona and Madrid by Loyalist supporters. (5)
- "Heroic" portraits of Loyalist volunteer militia. (8)
- Documentary evidential photographs of foreign fascist (German and Italian) participation in the war -- prisoners, downed airplanes, etc. (7)
- Photographs evidencing foreign support for the Loyalist cause --ambulances, medical teams, etc. (5)
- Photographic copies of pedagogical drawings used to train illiterate volunteer troops in battle tactics and survival strategies. (12)
- Group of broadsides, posters, tearsheets, pamphlets, and even a poem, published by the Conselleria de Defensa, Edicions de Comissariate de Propaganda de la Generalitit de Catalunya, or the Ministerio de Propaganda de la Republica Espanola, using the photographs or drawings,
SPANISH WAR II.
1. Credit line: PL
- Madrid bomb damage -- ruins, dead, orphans. "British Embassy Bombed." etc. (44)
- Valencia bomb damage (7)
- Malaga bomb damage (4)
- Malaga refugees (6)
- Avila and Segovia refugees (6)
- Cartegena bomb damage (2)
- Barcelona scenes (2)
2. Credit line: PL
- Loyalist soldiers on the Catalonian front (20)
- Loyalist soldiers on the front outside Madrid (27)
- The International Brigade outside Madrid (6)
- Other fronts (7)
The captions and texts are in Spanish handwritten on the back of all PL credited prints, with some English translations. Though small, the photographs are generally well-seen and well-printed on double weight paper with careful cropping. The quality of the vision, nature of the images, care in printing, handwritten Spanish captions, etc. all infer that the photographer or photographers supplying images through PL seem to have been invested in these events.
3. Credit line: CS
- Barcelona Feb./Mar. 1938 Spanish Parliament, ministers meeting, etc. (8)
- Barcelona bomb damage, ruins, victims (6)
- Barcelona soldiers (2)
- Teruel battle aftermath, victims, wounded, refugees (7)
- Lerida victims, dead, mourners (7)
This group, although not as carefully made as the PL photographs, are also clearly intended to be used as Loyalist propaganda images.
4. Credit line: NU (Universal Newsreel)
- "Rebels bombarded in Alcazar" (5)
- "Ovedio, besieged for three months, finally gets relief" (3)
- "Madrid -- Rebel bombs tear capital" (4)
- "Armored trains aid Madrid" (2)
- Barcelona - Spanish Loyalist government hurls troops against rebels" (2)
- "Tervel - Loyalist troops take key positions" (3)
- "San Sebastian - Bloody conflict continues in Spain" (4)
- "From Mother's arms to firearms" (2)
May be single images printed from newsreel footage. 8"x10" single-weight photos, typed English captions, with standard photojournalism headings, language. Lesser quality prints, but hotter subjects, actually depicting firefights, etc. Combatants from both sides of this conflict displayed.
5. Credit line: SH
- Madrid students watch fighting (1)
- Barcelona crowds watch burning church (1)
SPANISH WAR III
These are photographs depicting the aftermath of the Falangist victory in Spain, and thus constitute Falangist propaganda.
Credit line: "Contreras y Vilaseca"?
- Occupation of Madrid by Falangist army, soldiers, officers, priests on display, in groups, and parades, etc. (26)
- Extensive captions in Spanish, describing contents of these photographs.
Credit line: GG
- Children of fallen Spanish "Falangista" (Fascists) on parade in Rome (2)
Credit line: OT
"Little victims of Spanish Civil War arrive in England" Basque refugees. (6)
The file SPAIN BY COLOMBO SILEO is a body of photographs by an foreign? photojournalist who traveled throughout Spain in August - September 1939. Sileo's views seem designed to depict Spain returning to normalcy after the conflict, with a focus on tourist resorts, a bull fight, the resumption of religious parades and religious practices, street markets. Among these are views of Loyalist prisoners and wounded in hospitals awaiting their trials, Falangist soldiers disbanding, returning home, etc. Ostensibly neutral, these photographs also function as Falangist propaganda.