VSW Salon December: NO-TV on TV: anti/broadcast
Program: Document
NO-TV Program 1: Document
Contents:
Watchdog (1985), Henry C. Linhart
Lower East Side (1988), Angelo Jannuzzi
Watching (1987), Margot Starr Kernan
Seen in Lanzhou (1985), Jo Wright Whitten
Mother Condominium (1975), Steve Kolpan
Taking Tallman Mountain (1987), Alex Roshuk
Note: Video descriptions taken from original NO-TV programs when possible.
Watchdog (1985), Henry C. Linhart, 2:00No-TV #8 Episode 11 (1989)A fairly ambiguous narrative with hints of challenging and taming an industrial security system.Lower East Side (1988), Angelo Jannuzzi, 5:00No-TV #8 Episode 9 (1989)The Lower East Side tape is a five minute musical documentary look Into the energies, feelings and thoughts the residents of this community have for their neighborhood. This view is coupled with a look at homelessness and other effects of gentrification which are plaguing this community. The tape shows references between the relationship of home, family and community. Lower East Side is a look Into the heart of a neighborhood which has contributed to making New York City unique.Watching (1987), Margot Starr Kernan, 10:40No-TV #8 Episode 11 (1989)Watching is a story about my childhood – a video about two young sisters during World War Two who venture into a forbidden secret place. Luminous black and white photographs of gardens fading in and out of white, and an original electronic stereo soundtrack create a dreamlike intimacy in the experimental narrative.Seen in Lanzhou (1985), Jo Wright Whitten, 3:45No-TV #9 Episode 10 (1990)Seen In Lanzhou is part of “China Essays,” a video and printmaking project consisting of a collection of visual and audio statements about contemporary China. Seen In Lanzhou is about change and time and the tension between two entities.Mother Condominium (1975), Steve Kolpan, 15:00No-TV #10 Episode 10 (1991)A document; ostensibly a tour of mother’s condominium in Florida, which becomes a personal statement on aging, being Jewish in America, the relationship of mother to son, son to mother, and the discovery of what might be considered a low-visibility sub-culture: people living in condominiums. Water becomes “decoration,” parking lots become a “beautiful view of a necessary evil,” an apartment becomes a “real dolls house,” and the viewer is privy to part of a worldview from the proverbial Jewish Mother. She is articulate and seemingly happy with the lifestyle she has chosen, and throws this lifestyle open to our various judgements.Taking Tallman Mountain (by strategy) (1987), Alex Roshuk, 7:00No-TV #7 Episode 5 (1988)A “diaristic reconstruction… of the discontinuous nature of daily life.” Two men strike out with a goal of climbing a mountain peak – a certain goal with an uncertain path. How do we force our bodies and video recording equipment to realize our ambitions and philosophies? A sweet and meandering tale.
The VSW Salon is made possible by the New York State Council on the Arts and by the ArtWorks program of the National Endowment for the Arts.