• NO-TV Program 1: Document

    Contents:

    Watchdog (1985), Henry C. Linhart 

    Lower East Side (1988), Angelo Jannuzzi 

    Watching (1987), Margot Starr Kernan

    Seen in Lanzhou (1985), Jo Wright Whitten

    Mother Condominium (1975), Steve Kolpan

    Taking Tallman Mountain (1987), Alex Roshuk

     

    Note: Video descriptions taken from original NO-TV programs when possible.

    Three panels of video stills showing a black and white image of a dog with a microphone, and a sign with a ferocious dog printed on it.
    Watchdog (1985), Henry C. Linhart, 2:00
    No-TV #8 Episode 11 (1989)

     

    A fairly ambiguous narrative with hints of challenging and taming an industrial security system.

     

    A triptych of images showcasing the vibrant and diverse culture of the Lower East Side. The first image features colorful graffiti on a wall. The second image captures a candid interaction between two people near a fence, highlighting the community aspect. The third image shows a street performer playing an accordion and singing, with a guitarist and onlookers adding to the lively street scene.
    Lower East Side (1988), Angelo Jannuzzi, 5:00
    No-TV #8 Episode 9 (1989)

     

    The Lower East Side tape is a five minute musical documentary look Into the energies, feelings and thoughts the residents of this community have for their neighborhood. This view is coupled with a look at homelessness and other effects of gentrification which are plaguing this community. The tape shows references between the relationship of home, family and community. Lower East Side is a look Into the heart of a neighborhood which has contributed to making New York City unique.

     

     

    Three black and white images depicting a person's shadow on the grass, a table and chairs, and a mysterious stairway.
    Watching (1987), Margot Starr Kernan, 10:40
    No-TV #8 Episode 11 (1989)

     

    Watching is a story about my childhood – a video about two young sisters during World War Two who venture into a forbidden secret place. Luminous black and white photographs of gardens fading in and out of white, and an original electronic stereo soundtrack create a dreamlike intimacy in the experimental narrative.

     

    Three panels of video stills showing billboards and workers.
    Seen in Lanzhou (1985), Jo Wright Whitten, 3:45
    No-TV #9 Episode 10 (1990)

     

    Seen In Lanzhou is part of “China Essays,” a video and printmaking project consisting of a collection of visual and audio statements about contemporary China. Seen In Lanzhou is about change and time and the tension between two entities.

     

    Three black and white images showing people in conversation and interaction, possibly during interviews or casual discussions.
    Mother Condominium (1975), Steve Kolpan, 15:00
    No-TV #10 Episode 10 (1991)

     

    A document; ostensibly a tour of mother’s condominium in Florida, which becomes a personal statement on aging, being Jewish in America, the relationship of mother to son, son to mother, and the discovery of what might be considered a low-visibility sub-culture: people living in condominiums. Water becomes “decoration,” parking lots become a “beautiful view of a necessary evil,” an apartment becomes a “real dolls house,” and the viewer is privy to part of a worldview from the proverbial Jewish Mother. She is articulate and seemingly happy with the lifestyle she has chosen, and throws this lifestyle open to our various judgements.

     

    Three panels of video stills showing a foot stepping on rocks, the words "Tallman Mountain," and a man with sunglasses with colorful shapes around him.
    No-TV #7 Episode 5 (1988)
    A “diaristic reconstruction… of the discontinuous nature of daily life.” Two men strike out with a goal of climbing a mountain peak – a certain goal with an uncertain path. How do we force our bodies and video recording equipment to realize our ambitions and philosophies? A sweet and meandering tale.

     

     


     

    The VSW Salon is made possible by the New York State Council on the Arts and by the ArtWorks program of the National Endowment for the Arts.

     

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